#France medieval manuscripts vs professional

in French and German from the University of Georgia. She studied bassoon as an undergraduate, earning both a B.Mus.

#France medieval manuscripts vs professional

Her interest in the music of the troubadours reflects the central role of music in Hebbard’s professional and personal life. She is particularly interested in how the term “chansonnier” has been used by scholars somewhat inconsistently, which has, she argues, led to significant undercounting of the number of manuscripts of troubadour lyric in existence. Hebbard’s own original research focuses on medieval French and Occitan lyric composed in the 12th and 13th centuries, and the notion of authorship (those who wrote the manuscripts documenting the songs were often not the composers) as well as the relationship between lyric text and melodic setting. “This is a great place to be a medievalist,” says the young scholar. The former group includes both French and Italian graduate students, as well as colleagues from Linguistics, English, and of course Medieval Studies. Some of them, Hebbard suspects, were sold by Otto Ege, a “book-breaker” from Cleveland who, in the early decades of the twentieth century, disassembled manuscripts, selling them piecemeal to institutions and individuals around the country.Īt Indiana University Bloomington, Hebbard has quickly integrated into the lively community of medievalists, and she has helped to convene the Occitan Reading Group and the Manuscript Studies Working Group. The project aims to build community among holding institutions in the region, and to generate new knowledge about the medieval materials they preserve. When manuscripts are not catalogued, it can be difficult to know what holdings exist, but it is clear that many valuable manuscripts and manuscript fragments are out there, waiting to be studied. She and three colleagues are currently writing a grant proposal to make medieval manuscripts more accessible to researchers by cataloguing and digitizing the holdings found in non-Research 1 institutions in the U.S. Hebbard is a specialist in French medieval studies, and she is especially interested in manuscript studies. She was particularly gratified to teach her first graduate seminar recently, where she could really dig into her scholarly passions. “Students here bring a lot of intellectual curiosity to class,” Hebbard says, and she finds the diversity of student backgrounds and majors really adds to class discussions. We were also pleased to be able to offer F410 Literature of the French Middle Ages for the first time in many years to our undergraduates, now that we have a French medievalist back on our faculty roster. Thus far, Professor Hebbard has taught our F300 course Introduction to French/Francophone Studies, F361 La France médiévale (jusqu’à 1500), and a graduate course on Lyric in the Medieval Mediterranean. As announced previously on these pages, she served as visiting assistant professor here in 2017-18 and came to Indiana University after two years at the University of New Hampshire and a successful Ph.D.

Hebbard has joined the tenure-track faculty of the Department of French and Italian as assistant professor of French starting in August 2018. The College of Arts & Sciences Department of French and ItalianĮlizabeth K.